Studied piano, composition and solfège from the age of 4.

Studied composition and music theory under Akio Yaraoka, Tatsuya Hayashi, Fumiko Kojiba, Keiichi Morigaki, and Noriko Imamura, and piano under Yoshio Hamano, Tetsuya Akiyama, Shinichiro Kato, and Sanae Takagi. She won the Gold Prize at the Japan Bach Piano Competition National Competition and the Gold Prize at the Tokyo Final of the Electone Festival.

She performs and composes contemporary music as well as classical and jazz music. After having attended Shukutoku High School, she is currently enrolled in the Composition Department at Tokyo University of the Arts.

HASHIMOTO ROKKA

パフォーマンスアートと社会運動の関係を調べる大学院生。現在は平和の少女像をテーマにして、あいちトリエンナーレの検閲に対して抗議するパフォーマンスについて研究している。

東アジアの社会の不平等な問題に焦点を当てている、非営利フェミニストアーティストグループ、明日少女隊の林芙美子としても活動するフェミニストアクティビスト。記事作成やSNS、ヴォイスパフォーマンス、出版準備などさまざまなプロジェクトに参加してきた。明日少女隊では匿名で活動しているけど、ここでは正体を明かしちゃう。

フィルムカメラやデジタルカメラのセルフタイマーを用いてヌードと裸のパフォーマンスを記録する人。新しいかたちのポルノを、演じる人と見る人の主体性と対話と共に探している。

Researching about performance arts and social movements, focusing on the feminist art activism around the Statue of Peace; the socially engaged performance protesting against the censorship in Aichi Triennale

A member of Tomorrow Girls Troop (TGT), a nonprofit feminist artist group, focusing on gender inequality issues in East Asia through art and social projects. My name is Fumiko Hayashi in this group. I use this name for anonymity but I revealed my real name and profile here. 

Performing nude and naked with film and digital cameras and seeking the new type of porn with our (performers and audience) own initiatives and communications

教養学部 アーツ・サイエンス学科 (社会学専攻) | 2017-2021.3 卒業

アーツ・サイエンス研究科 (公共政策・社会研究専攻) | 2021-

タンペレ大学 (フィンランド) 交換留学

社会科学部 ジェンダー・セクシュアリティ研究 2019.8-2020.5

BA in Arts, Major in Sociology 2017-2021.3

Tampere University (Finland) Exchange Studies

Department of Social Sciences, Gender and Sexuality Studies | 2019.8-2020.5 

明日少女隊：f.hayashi@ashitashoujo.com

Akari Hagiwara

ダンス、パフォーマンス、作品制作依頼など芸術に関わること何でもやりますのでご連絡お待ちしておりガッツ！！！！
全力ガッツでガッツ張りますので一緒に面白いことしましょう！

CHIBIGUTS

生須芳英（なます よしひで）は1991年生まれのアーティストです。

音響詩・音楽・パフォーマンス・詩・絵画・彫刻・評論と横断的に作品を展開しているというと偉そうに聞こえますが、まぁ、楽しいことの好きな人です。好奇心旺盛です。
本業は、絵描きです。


Namasu Yoshihide

中村　碧子

猫尾(Cat-o'-nine-tails)　　渡邊紗妃　

Tokyo University Of The Arts , Oil painting BA

Cat-o'-nine-tails

2003-2012 Viola studies in Miami, Cleveland and Salzburg with Chauncey Patterson, Mark Jackobs & Peter Langgartner

2010-2015 Studies in Composition & Electronic Music in Salzburg and Paris with Reinhard Febel, Achim Bornhöft and José Manuel López-López

2019 Featured Grad Student of the School of Video Game Audio: Pure Data course with Leonard Paul.

STEPHAN E PEREZ

Hamtama,  manage the project and facilitates the hearings.

Graduated from Tama Art University, majoring in oil painting.

Hidenari Bannai

Hamtama archives performances and creates works in photography and video.

He is involved with IMA, a photography platform, and collaborates with artists, aiming to create works that transcend the framework of photography.

I've never heard of the term "playing alone.

I didn't think that the term "playing alone" really existed in Japan.

In Mia's performance, playthings and devices invaded her living space to a great extent, but her playmates were not obvious. That's the question that came to mind.

The next question is about tools and devices. From my point of view, the tools are nothing but "tunnels". Going through the tunnel to enter the world of others was the original meaning.

However, in today's Japanese "smartphone is enough" life (of course, other societies have that problem too), tunnels are not necessary "exits".

Just visiting the countless tunnels takes enough energy.

As a result, we think we've played enough, but we haven't really played for a second.

kurosuzume

He has been working with various media such as artist music, video, programming, painting, performance, installation, architecture, and manga. Rather than thinking about the work from the perspective of a specific medium, he prioritizes expression and media. He is planning an integrated comprehensive art.

It is difficult to create a common code in the midst of so many different worlds. However, we are essentially different, and because we are different, we may be able to use each other's existence to fill in something that we lack. I believe that love is necessary to overcome the differences in the world.

Hiroshi Murakami

In the process of creating something, it is always in the corner of my mind how to extract "the way of culture and spirit". In every age, in every place, people have left us a variety of “plays”. They are not directly related to the biogenic needs of the organism, but they reflect the culture and the spirituality that dwells in them, as they are the things that "make us human" without being bound by time and place. I have been researching and focusing on Japanese secular culture. I do not have a central storyline for my work, but I want to create something that overlaps with the fragments of the viewer's personal memories, so that the viewer can feel the spirituality hidden in the secular culture through the visuals.                                                                                                                                                               

2017   Enter  BA in fine art, Tama Art University (-2019)

2019   Enter BA in fine art, Tokyo University of the Arts

2020 I hate zoom meeting. Take my sole of the foot.

Artists

Core Members

Akari Hagiwara

STEPHAN E PEREZ

kurosuzume

Hiroshi Murakami

Meerkat-girl

Artists

HASHIMOTO ROKKA

Artists

CHIBIGUTS

Namasu Yoshihide

中村　碧子

Cat-o'-nine-tails

Hidenari Bannai

Newsletter

Artists

Core Members

Akari Hagiwara

STEPHAN E PEREZ

kurosuzume

Hiroshi Murakami

Meerkat-girl

Artists

HASHIMOTO ROKKA

Artists

CHIBIGUTS

Namasu Yoshihide

中村 碧子

Cat-o'-nine-tails

Hidenari Bannai

Newsletter

中村　碧子